Richard Hambleton (1952-2017) was one of the pioneers of the Street Art movement in New York in the 1980s, along with Jean-Michel Basquiat and Keith Haring.

He is remembered as the ‘Godfather of street art’, but why is his artwork so significant?

Richard Hambleton moved to New York and in the early 80s, he produced the first of his striking Shadowmen which cemented this conceptual artist as an important figure in a powerful and volatile public art landscape.

“There’s a part of him that’s a real pioneer to plunge into the depths of the depravity that was the lower east side at that time. Prostitution and murder was just commonplace” Nemo Librizzi, Filmmaker, Art collector.

He was fascinated by the dark energy of the streets and his modern art is shocking, exciting, provocative, disruptive, political. It has formed part of our collective consciousness for decades.

Richard Hambleton’s life sized Shadowmen would lurk on street corners, in doorways, ominously hovering on the walls of the buildings of New York, frightening and shocking.

His modern art battled the status quo and called out inequalities in an instantly recognisable, thought-punching way, forcing passersby on the street to stop and stare.

Around 450 shadow men eventually lurked on the streets of New York and became a symbol of the streets: “This work is conceptual – my brain is going to fall apart if I don’t get it all out.” Richard Hambleton.

Later he translated these figures to canvas and paper and developed his popular Horse and Rider – Rodeo themed artworks.

The art legends of the time: Keith Haring, Jean-Michel Basquiat, Andy Warhol were all outlived by Richard Hambleton and some believe that is why their celebrity outshone Hambleton’s.

But at the height of his fame in the 80s, Hambleton’s work was more in demand than any of his contemporaries.

However, his artistic temperament seemed unable to handle the fame and the demands put upon him: requests that included European exhibitions, the Venice Biennale, painting the Berlin Wall: “In the midst of becoming the most important thing in New York, with Basquiet, with Keith, he disappears.”

In 2009, art collector Andy Valmorbida and his business partner Vladimir Restoin Roitfeld effectively resurrected Richard Hambleton.

When discovered, he says: “I wasn’t hiding, I was painting.” Richard Hambleton.

Valmorbida funded and encouraged Hambleton to paint, resulting in a series of exhibitions all over the world in Milan, Moscow, Cannes and Paris, including an exhibition with Giorgio Armani. A return to fame (and fortune).

This exposure was followed in 2017 by a documentary entitled Shadowman which premiered at the Tribeca Film Festival. Just 6 months after the film aired, Richard Hambleton passed away.

Richard Hambleton was nicknamed the Shadowman because of his infamous street art and shadow head portraits but this nickname became all the more significant as he turned into a shadow of his former self.

His rise to fame led to his fall as substance abuse turned him into a recluse.

He often said of himself: “I am the shadow behind the shadowman.”

Richard Hambleton died of cancer in 2017, aged 65, having lived a life part in the spotlight, part in the shadows.

Following his death, his work has predictably risen in value as his position as an integral part of art history is consolidated.