As we step into 2025, the global art market finds itself in a period of thoughtful transition. According to Artnet’s Intelligence Report: The Year Ahead 2025, last year’s auction results reflect more than just a cooling-off from record highs—they signal a wider shift in how, why, and what people collect.

For the Woodbury House community, which includes collectors, investors, and artists with a passion for post-street, graffiti, and contemporary art, these findings carry real relevance.

Let’s break it down.

2024 saw global fine art auction sales fall by 27.3% to $10.2 billion. At first glance, that might raise alarm bells—but the details paint a more nuanced picture. The steepest drops came at the ultra-high end, with artworks over $10 million falling by 44.2%. The ultra-contemporary market—once driven by speculative hype—declined 37.9%.

But the mid-tier ($100,000–$1M) held up well, reflecting a healthy shift from speculation to passion-driven collecting. People are still buying art. They’re just buying differently: with more personal conviction and long-term appreciation.

Millennials and Gen Z are taking the reins. Their collecting habits are influenced by luxury fashion, pop culture, and digital fluency. Online art sales continue to grow, and many of these collectors engage with art across digital platforms before making a purchase.

This new demographic favours authenticity, storytelling, and cultural relevance—attributes deeply rooted in post-street and graffiti art. Artists with a strong narrative and an honest message are resonating more than ever.

While the US remains the largest market, accounting for $4.3 billion in sales, China and the UK saw sharp declines. In contrast, the Middle East, particularly Saudi Arabia and the UAE, is on the rise. With cultural investments like Vision 2030, this region is fast becoming a serious player in the global art scene.

At Woodbury House, we’re already engaging with this momentum. Our new gallery in Dubai connects us with a dynamic collector base that values both innovation and history—a natural fit for contemporary and post-street and graffiti art narratives.

2024 proved that quality still wins. Basquiat dominated the contemporary category, while classics like Magritte and Monet held strong. The post-war and Old Masters markets saw fewer blockbuster sales but rewarded top-tier works with record-breaking results.

Meanwhile, the ultra-contemporary market cooled. Gone is the era of the six-figure overnight success. Today’s buyers are more thoughtful, seeking genuine talent and long-term value.

Notably, half of the top-selling ultra-contemporary works last year were by women—a promising sign of a more inclusive future.

The findings are encouraging for those of us focused on post-street, graffiti and contemporary art:

• Authenticity Matters: Artists with a raw, cultural narrative are in demand.

• Mid-Market Strength: The $10k–$500k price range, where many of our artists reside, is the most resilient.

• Pop-Culture Crossover: The new collector values art that blends visual power with lifestyle and culture—areas where street and graffiti art naturally thrive.

• New Markets: The Middle East and other emerging regions are actively building collections and institutions that value contemporary expressions, including urban and street art.

While the overall market is evolving, the outlook remains positive. The current climate rewards thoughtful collecting, celebrates authenticity, and embraces new voices. Whether you’re acquiring your first artwork or building a multi-generational collection, 2025 offers an opportunity to refine your eye and trust your instincts.

At Woodbury House, we believe in the power of post-street, graffiti, and contemporary art to tell powerful stories, spark dialogue, and deliver lasting value. As the art world adapts to new tastes and new money, we’re proud to be part of a future that feels more inclusive, more exciting, and more aligned with what truly matters: creativity, connection, and conviction.

Explore the movement. Back the artists. Collect with confidence.

If you’d like to receive the full Intelligence Report: The Year Ahead 2025, or speak with a Woodbury House consultant about market insights, building, or expanding your collection, feel free to get in touch — we’d love to hear from you.

The 2025 Hiscox Artist Top 100 (HAT 100) report—released earlier this month—paints a clear picture of a recalibrating art market. Headlined by Yayoi Kusama and François-Xavier Lalanne as the top-selling artists of 2024, the data reflects a shift away from speculation and trophy-hunting, toward more thoughtful, value-driven collecting.

At Woodbury House, where we focus on post-street, graffiti, and contemporary art, this year’s report carries meaningful signals for our community of collectors, artists, and advisors. Below, we unpack the key takeaways and explore their relevance to a rapidly evolving collector landscape.

Auction sales for post-2000 artworks dropped by 27% year-over-year, marking a continued cool-down since the market’s 2021 peak. High-value works—those priced above $1 million—saw a 41% dip in value, with the number of lots sold also down by 31%.

💬 Why this matters for Woodbury House:

This signals a return to collecting with conviction—not speculation. Buyers are no longer chasing flash-in-the-pan hype; they’re gravitating toward artists with substance, historical importance,v pioneering influence, proven track records, and lasting relevance.

Our curated focus on artists like TOXIC, Blek le Rat, Richard Hambleton, and DEFER reflects that same philosophy: support the storytellers, the originators, and those shaping the future with meaning.

While the top end declined, sales of artworks under $50,000 rose by 20%, echoing similar findings in the recent Art Basel & UBS report. There’s clear momentum building around accessible, lower-value works—especially among new and younger collectors.

💬 The takeaway for our collectors:

Street and graffiti art has always thrived on accessibility. Whether it’s a limited edition, a unique work on paper, or an entry-point canvas, we continue to curate opportunities for collectors to enter the market confidently and authentically—without needing seven-figure budgets.

Sales by artists under 45 fell 49% year-over-year, a reflection of shifting collector confidence. Yet, paradoxically, more artworks than ever were sold at auction in 2024, and a record number of artists saw their work traded—showing that breadth and discovery still thrive, even if headline prices don’t.

💬 How we see it at Woodbury House:

There’s opportunity in the reset. For discerning collectors, this is a time to discover under-the-radar talent and build ahead of the curve. Our role is to help clients cut through the noise and identify which emerging voices—particularly those evolving out of the post street and graffiti art movement—are worth backing for the long term.

For the second year in a row, Yayoi Ksama led the market with $58.77 million in auction sales. And for the first time, four women artists—including Cecily Brown, Lynette Yiadom-Boakye, and Claude Lalanne—landed in the top 10.

💬 Why this matters to us:

Representation is more than a talking point—it’s a key part of our mission. From early graffiti pioneers to next-gen voices, we continue to support female and underrepresented artists in our programme and collector offerings. The market is moving in this direction, and we’re proud to be part of that momentum.

Despite the financial slowdown, volume rose 5%, with over 36,800 lots analysed in the report. Collectors may be more cautious, but they’re still active—and increasingly strategic.

💬 A smart collector’s moment:

At Woodbury House, we’re seeing this first-hand. Many of our collectors are doubling down—refining their collections, looking to upgrade quality, and asking deeper questions about narrative, provenance, and long-term potential. This climate rewards those who act decisively and with insight.

The Hiscox report confirms what many of us already feel: the speculative frenzy is over, and a more grounded, intelligent era of collecting has begun. It’s a market that values authentic voices, resilient segments, and real stories—not just auction fireworks.

For Woodbury House, it’s a reaffirmation of everything we’ve stood for since day one. We’re here to guide, advise, and curate with integrity—from first-time acquisitions to museum worthy investments.

Back the movement. Collect with clarity. And trust the story behind every piece.

If you’d like to receive the full HAT 100 Report or speak with a Woodbury House consultant about where the most exciting opportunities lie in today’s market, get in touch—we’d love to hear from you.

The newly released 2025 edition of the Art Basel and UBS Art Market Report, authored by cultural economist Dr. Clare McAndrew, offers an in-depth look at global art market performance in 2024. Amid economic uncertainty, geopolitical tensions, and changing buyer habits, the report reveals a market in transition—where smaller dealers are thriving, online platforms remain strong, and new collectors are more active than ever.

At Woodbury House, where we specialise in post-street, graffiti, and contemporary art, this report holds particular relevance. Below, we break down the key takeaways—and what they mean for our collectors, artists, and wider community.

While total global art sales fell by 12% in 2024 (to $57.5 billion), the number of individual transactions actually rose by 3%, reaching over 40 million artworks sold. This increase in volume—despite the drop in value—signals continued demand, particularly at accessible price points.

💬 What this means for Woodbury House:

The data reinforces our belief in a more democratic and engaged collector base. We’ve always focused on making art accessible, offering works that range from museum-level pieces by legends like Blek le Rat, to limited editions and works on paper by artists like TOXIC and DEFER. This shift in buying behaviour reflects that vision.

Online art sales made up 18% of total sales in 2024—unchanged from 2023, but significantly higher than the 13% share in 2019. Crucially, 46% of dealer online sales were to new buyers, showing how digital platforms are now the gateway for first-time collectors.

💬 How we’re responding:

At Woodbury House, we’ve invested heavily in a seamless digital experience—from online exhibitions and video walkthroughs to private digital catalogues and virtual consultations. Whether you’re based in London, Dubai, or beyond, our collectors can now engage with us and our artists anytime, anywhere.

Dealers with an annual turnover under $250,000 saw the strongest growth in 2024, with sales increasing by 17%. This contrasts sharply with the declines seen at the top end of the market, where sales dropped by up to 9%.

💬 This reflects our core philosophy:

Our ethos at Woodbury House is built on relationships, not just transactions. We’re not here to push volume at the highest prices—we’re here to grow with our collectors, tell powerful stories, and support artists authentically. This people-first approach is proving both resilient and future-focused.

In 2024, the U.K. reclaimed its spot as the world’s second-largest art market, accounting for 18% of global sales by value, despite a 5% drop in total sales. London’s role as a cultural powerhouse remains as strong as ever.

💬 Why this matters for Woodbury House:

With our flagship gallery in Mayfair and recent collaborations with venues like Chotto Matte and The Devonshire, we’re proud to be contributing to the cultural vibrancy that makes London such a key player on the global stage. The energy here continues to attract collectors, artists, and curators from around the world.

Women artists made up 41% of gallery representation globally in 2024, with smaller galleries leading the way at 49%. Larger galleries, by contrast, are lagging behind, with women representing only 33% of their rosters.

💬 Our continued commitment:

Representation and inclusivity have always been central to our curatorial approach. From showcasing pioneering figures in the street art movement to platforming emerging voices across gender and culture, we believe diversity enriches the entire art ecosystem.

Despite the headwinds of 2024, the global art market is evolving, not contracting. Collectors are more engaged. Digital access is stronger than ever. And smaller, community-led galleries are driving the future of collecting.

At Woodbury House, we remain committed to helping you navigate this dynamic landscape—whether you’re starting your collection or seeking museum-quality investment works. With deep market insight, direct artist access, and a hands-on approach, we’re here to help you collect with confidence.

If you’d like to receive the full 2025 Art Market Report or speak with a Woodbury House consultant about building or expanding your collection, get in touch—we’d love to hear from you.

We’re thrilled to announce a new takeover at Woodbury House by none other than Blek le Rat, the ‘Father of Stencil Graffiti’. Known as one of the most influential figures in the street art movement, Blek’s latest installation is now live in our Mayfair gallery — and we’re inviting collectors, enthusiasts, and first-time visitors alike to experience it.

In celebration of the upcoming premiere of ‘War & Peace’ — a brand-new documentary spotlighting Blek le Rat’s groundbreaking career — we’ve transformed our space into a focused installation featuring an exciting selection of his works. The display includes pieces created as early as 2008, offering a glimpse into both the evolution and consistency of his message, style, and socio-political commentary.

This is a rare opportunity to explore a curated body of work by one of the true pioneers of street art, right in the heart of Mayfair.

We’re opening our doors to the public for a one-day-only Open Gallery Day on Wednesday, 17th April, running from 12:00 – 21:00.

Whether you’re looking to ease into the Easter break with something memorable or simply curious about street art’s roots, this is your chance to visit without an appointment and immerse yourself in an incredible atmosphere.

Location: Woodbury House, 29 Sackville Street, Mayfair, W1S 3DX

Time: 12:00 – 21:00

Expect a relaxed, welcoming environment with complimentary drinks — coffee, wine, champagne and beers — and a gallery space filled with works that challenge, inspire, and captivate.

No problem — there are still ways to engage:

•  Enquire about available artworks

• Book a private viewing

• Speak to a specialist

We’re also excited to announce that the official London screening of ‘War & Peace’ is just around the corner. This intimate event will feature Blek le Rat live in person, hosting an exclusive Q&A session after the film.

Spaces are extremely limited, and this will be a truly unforgettable evening for collectors and fans alike.

If you haven’t yet registered your interest, this is your final opportunity to do so.

👉 Register now to receive early updates and secure your chance to attend this exclusive screening.

Blek le Rat | Exclusive Documentary: ‘War & Peace’ | Register for Early Access

The Blek le Rat takeover at Woodbury House is live now — and it’s one of those moments that needs to be experienced in person. We look forward to welcoming you to the gallery and to what promises to be an unforgettable few weeks of art, conversation, and cultural celebration.

On 20th March 2025, Woodbury House partnered with Arbuthnot Latham to host an exclusive evening at the bank’s headquarters in the heart of the City of London — 20 Finsbury Circus, EC2M 7EB. This private event brought together clients from both institutions for an intimate experience centred around art, wealth, and investment.

When the world of art meets the world of private banking, the result is something truly special — for one night only, the world of Woodbury House became the world of Arbuthnot Latham.

Founded in 1833, Arbuthnot Latham is a leading UK private and commercial bank, offering bespoke services across private banking, wealth management, asset-based lending, asset finance, and leasing. With headquarters in London and offices in Manchester, Bristol, and Exeter, the bank seamlessly blends heritage and innovation to deliver tailored financial solutions.

The synergy between our two organisations was unmistakable. Just as Arbuthnot Latham supports its clients with seamless, discreet financial services, Woodbury House helps collectors collect with confidence — offering access to world-class artworks in an equally exclusive environment.

The curated collection for the evening showcased museum-quality works by some of the most historically significant figures in post-street and graffiti art, including Blek le Rat, DEFER, Futura, and Richard Hambleton — alongside a rare image of Andy Warhol taken by photographer William John Kennedy.

Guests were welcomed with a champagne reception and canapés, setting the tone for an evening of connection, conversation, and artistic immersion. Presentations from both Arbuthnot Latham and Woodbury House highlighted the shared values of quality, curation, and outstanding client care.

The event provided a rare opportunity for our respective communities to connect, exchange ideas, and build lasting relationships — all within a refined and culturally rich setting.

At Woodbury House, we pride ourselves on curating not just exhibitions, but meaningful experiences. Whether through gallery events, partnerships, or private viewings, our mission remains the same: to place the collector at the heart of everything we do.

We look forward to hosting more collaborative events with Arbuthnot Latham, as well as with other like-minded partners — alongside our regular programme of exhibitions and private events at our flagship gallery in Mayfair and our new space in Dubai.

Interested in discovering more about Woodbury House, our artists, or our upcoming events and exhibitions?

Woodbury House proudly expands its global presence to Dubai, establishing a permanent gallery space within Chrono Hub, one of the UAE’s most exclusive luxury destinations. Here, art, timepieces, jewellery, and the finest luxury goods converge under one roof, creating a one-of-a-kind experience for collectors and connoisseurs alike.

Chrono Hub, founded by a team of luxury asset specialists with over 40 years of expertise, is more than just a showroom—it is a celebration of craftsmanship, culture, and community. Designed for those who appreciate the finest things in life, Chrono Hub offers a meticulously curated selection of post-graffiti and street art, high-end watches, designer accessories, and rare collectables.

For those seeking an environment rich with style, artistry, and exclusivity, Woodbury House at Chrono Hub provides the ultimate fusion of fine art and luxury, making it Dubai’s premier destination for collectors.

Located in Al Quoz Industrial Area 3, our Dubai gallery spans 3,300 square feet, offering an immersive and sophisticated space designed to showcase the most influential names in post-graffiti and street art.

This is not just a gallery—it is a platform where collectors can engage with the movement, discover rare and exclusive works, and experience the impact of street art in a refined setting. Our presence in Chrono Hub allows collectors and art enthusiasts in the UAE to access a highly curated selection of artworks, carefully sourced and presented with the same level of quality, provenance, and exclusivity that defines Woodbury House in Mayfair, London.

To enhance the experience, Chrono Hub features a specialty coffee lounge, creating a space where visitors can relax, engage, and explore. Whether you’re here to discover a new masterpiece, explore rare timepieces, or immerse yourself in an atmosphere of art and luxury, Woodbury House Dubai offers a truly unparalleled experience.

Expanding to Dubai was a natural step for Woodbury House, as our history with the UAE dates back to one of our earliest exhibitions.

In 2015, we curated a landmark showcase at La Cantine Du Faubourg, introducing Richard Hambleton’s works to the UAE for the very first time.

Now, nearly a decade later, we are back in Dubai permanently, continuing our mission to bring the finest artworks from the pioneers of street and graffiti art to the Middle East collector community. 

While the art world has evolved, our commitment remains the same—providing unparalleled access, insight, and expertise to collectors in Dubai and beyond.

📍 Chrono Hub, Goshi Warehouses, Unit 19 – 26, 7 St, Al Quoz Industrial Area 3, Dubai, UAE

🕘 Opening Hours:

Monday: Closed

Tuesday: 10:00 – 19:00
Wednesday: 10:00 – 19:00
Thursday: 10:00 – 19:00
Friday: 11:00 – 20:00
Saturday: 11:00 – 20:00
Sunday: 10:00 – 19:00

For exclusive works, upcoming exhibitions, or private consultations, we invite you to experience Woodbury House Dubai and discover world-class street and graffiti art collecting in the heart of the UAE. 

With permanent locations in Mayfair and Dubai, Woodbury House continues to expand its global footprint, ensuring that collectors worldwide have unrivalled access to the very best in post street and graffiti art.

Our Dubai gallery at Chrono Hub represents a seamless fusion of fine art and high-end luxury, offering collectors exclusive access, market insights, and unparalleled expertise.

WOODBURY HOUSE | A DESTINATION, NOT JUST A GALLERY

At Woodbury House, we are more than just a gallery—we are a specialist consultancy, a curator of legacies, and a trusted partner for collectors worldwide.

Why Collectors Choose Us

✔ Unrivalled Expertise: A deep understanding of the history, market trends, and future potential of street and graffiti art.

✔ Exclusive Access: Direct relationships with artists, estates, and private collectors, ensuring that we offer artworks unavailable anywhere else.

✔ Superior Provenance & Transparency: Every artwork is backed by clear documentation and historical integrity, guaranteeing authenticity and value.

✔ A Commitment to the Movement: Unlike traditional galleries that treat street art as a passing trend, this movement is our foundation, our passion, and our expertise.

As the #1 ranked art gallery on Trustpilot in London, Woodbury House has built a reputation for trust, transparency, and excellence. We are committed to offering the UAE collector community the same world-class experience that has made us London’s leading street art gallery.

As Woodbury House continues to expand, we remain committed to the movement, the artists, and the collectors who shape its future. Whether you’re a new collector, a seasoned investor, or someone passionate about street and graffiti art, Woodbury House stands as the ultimate destination to experience and acquire the finest works from the legends of post street and graffiti art.

Interested in available works, upcoming exhibitions, or exclusive collecting opportunities? Let’s connect and explore the world of Woodbury House together.

Nestled in the heart of Mayfair, London, Woodbury House is located at 29 Sackville Street, a Grade II listed townhouse with a rich history dating back to the 17th century, later refined with early 19th-century alterations. 

Blending heritage with contemporary culture, our flagship gallery serves as a collector’s destination, a cultural hub, and a dedicated platform for post-graffiti and street art. 

Through curated exhibitions, private viewings, and exclusive events, Woodbury House provides a space for collectors to connect with the movement, discover rare works, and engage in meaningful discussions.

A Historic Setting in the Heart of London’s Art Scene

Situated on the west side of Sackville Street, near Vigo Street, our gallery is positioned in one of London’s most prestigious art districts. With Sotheby’s and Christie’s auction houses just a short walk away, Woodbury House is at the centre of a neighbourhood steeped in artistic heritage—a prime location for collectors and enthusiasts alike.

With Piccadilly and Green Park underground stations nearby, the gallery is easily accessible, offering visitors a seamless and immersive experience in one of London’s most vibrant cultural hubs.

Spanning over 3,000 sq ft, Woodbury House’s flagship gallery is designed to offer an immersive and refined setting for collectors, curators, and art enthusiasts alike. The space is meticulously curated to honour the energy of the street art movement while embracing the exclusivity and sophistication of Mayfair’s art scene.

On the ground floor, a dedicated entrance from Sackville Street welcomes visitors into an expansive open-plan gallery, where high ceilings reaching 3.7 metres create an impressive sense of scale. This space is carefully planned to host rotating exhibitions, showcasing a mix of solo and group presentations from pioneering street artists. The layout allows for a dynamic display environment, where historic and contemporary works are thoughtfully curated to maximise their impact. Adding to the gallery’s unique atmosphere is a dedicated bar area, designed to provide an intimate and exclusive setting for private events, collector gatherings, and in-depth discussions with artists.

Descending to the lower ground floor, visitors find a private viewing area, offering collectors an exclusive, discreet environment to explore available artworks in a more personal setting. This level also houses a state-of-the-art podcast studio, where artists, curators, and collectors engage in discussions, producing insightful content that delves into the world of street and graffiti art. Complementing these spaces are dedicated offices and secure storage facilities, ensuring the seamless operation of Woodbury House’s growing global collector network.

By thoughtfully combining exhibition, event, and content-creation spaces, Woodbury House is more than just a gallery—it is a destination where street art is not only displayed but experienced, discussed, and celebrated.

Beyond exhibitions, Woodbury House fosters dialogue, discovery, and collaboration, creating an unparalleled collector experience.

What Sets Us Apart?

✔ Rotating Curated Exhibitions: Showcasing historic and contemporary works from the biggest names in graffiti and street art.

✔ Private Viewings & Advisory Services: One-on-one consultations, providing expert guidance and tailored insights.

✔ A Private Bar & Lounge: A discreet and exclusive space for discussions, artist talks, and collector events.

✔ Podcast Studio: Capturing the voices of the movement, producing insights, interviews, and behind-the-scenes content for our global audience.

✔ A Destination for Collectors: Offering exclusive access, off-market acquisitions, and specialist expertise.

Located in Mayfair, Woodbury House is positioned amongst the most respected names in the industry. Our presence in London’s historic art district reinforces our commitment to elevating street and graffiti art to its rightful place in contemporary collecting.

With neighbours including:

• Sotheby’s & Christie’s: The world’s leading auction houses.

• The Royal Academy of Arts: A key institution for fine art exhibitions.

• Luxury fashion houses & five-star hotels: A fitting location for collectors seeking exclusivity, prestige, and expertise.

This strategic positioning ensures that Woodbury House remains the definitive destination for collectors seeking the best works from the legends of street and graffiti art.

At Woodbury House, we are more than just a gallery—we are a specialist consultancy, a curator of legacies, and a trusted partner for collectors worldwide.

Why Collectors Choose Us

✔ Unrivalled Expertise: A deep understanding of the history, market trends, and future potential of street and graffiti art.

✔ Exclusive Access: Through direct relationships with artists, estates, and private collectors, we offer works unavailable anywhere else.

✔ Superior Provenance & Transparency: Every artwork is backed by clear documentation and historical integrity.

✔ A Commitment to the Movement: Street art is our foundation, our passion, and our expertise.

As the #1 ranked art gallery on Trustpilot in London, we have built a reputation for trust, transparency, and excellence. Our collectors value our knowledge, our integrity, and our ability to source the very best works in the market.

📍 29 Sackville Street, Mayfair, London, W1S 3DX

🕘 By Appointment Only

For those interested in private viewings, available works, upcoming exhibitions, or exclusive insights, please get in touch to schedule a visit.

As Woodbury House continues to expand beyond our flagship Mayfair gallery and Dubai gallery, we remain committed to the movement, the artists, and the collectors who shape its future. Whether you are a new collector, a seasoned investor, or someone passionate about street and graffiti art, Woodbury House stands as the ultimate destination to experience and acquire the finest works from the legends of the post graffiti and street art movement.

Interested in available works, upcoming exhibitions, or exclusive collecting opportunities? Let’s connect and explore the world of Woodbury House together.

Born in 1965 in the Bronx, New York, Torrick Ablack, known as TOXIC, emerged as a significant figure in the graffiti movement of the 1980s. The Bronx, a melting pot of cultures and the birthplace of hip-hop, provided the perfect backdrop for TOXIC’s artistic development. His early influences were deeply intertwined with the explosive hip-hop movement, engaging in DJing, breakdancing, and graffiti—but it was graffiti that became his true passion.

At just thirteen years old, TOXIC, alongside his friends A-One and Kool Koor, began transforming the urban landscape of the South Bronx into a vibrant canvas of expression. His tag name, ‘TOXIC’, originated from his boundless energy on the basketball court, where he was known as a “Toxic Battery.” That energy soon translated into his graffiti, marking his presence across New York City.

A pivotal moment in TOXIC’s career came when he joined the Tag Master Killers (TMK) crew, led by the enigmatic Rammellzee. Introduced by A-One, who was both a neighbour and fellow skateboard enthusiast, TOXIC quickly became immersed in Rammellzee’s philosophy of graffiti as a futuristic, coded language. Under his mentorship, TOXIC’s artistic vision expanded beyond traditional graffiti, embracing abstraction, complexity, and futurism.

In 1982, TOXIC’s life took a transformative turn when he met Jean-Michel Basquiat at The Roxie nightclub. The two struck up an immediate friendship—sharing artistic ideas, inspiration, and a vision that would elevate TOXIC’s career.

Basquiat, who had already begun making a name for himself in the gallery world, encouraged TOXIC to move from painting trains to painting canvases. He famously questioned TOXIC’s dedication to subway graffiti, asking:

“But how do you eat with trains?”

This moment marked a turning point for TOXIC, who began to see graffiti not just as a form of rebellion but as a viable artistic movement worthy of gallery walls and collectors’ attention.

TOXIC’s close friendship with Basquiat led to his involvement in one of the most iconic paintings in modern art history—‘Hollywood Africans’ (1983). Created during their trip to Los Angeles for an exhibition with Larry Gagosian, this artwork is a symbolic representation of the racial and cultural experiences of Black artists navigating the art world.

In the painting, TOXIC, Rammellzee, and Basquiat are depicted as three Black men in Hollywood, confronting the stereotypes and challenges they faced. This piece has since become one of Basquiat’s most famous works, further immortalising TOXIC’s presence in the art world.

Breaking Into the Gallery Scene

TOXIC made his gallery debut at the “Post-Graffiti” exhibition at the Sidney Janis Gallery in December 1983, curated by Dolores Neumann. The exhibition was a defining moment in the transition of graffiti from the streets to the art world, featuring renowned artists such as:

• A-One

• Jean-Michel Basquiat

•  Futura

•  Keith Haring

•  Crash

•  Daze

•  Lady Pink

•  Rammellzee

•  Kenny Scharf

•  TOXIC

This exhibition cemented TOXIC’s place among the most important artists of the movement, proving that graffiti was more than an act of rebellion—it was an art form worthy of institutional recognition.

In 1984, TOXIC’s work reached Europe through “Arte di Frontiera: New York Graffiti”, an exhibition in Bologna, Italy, curated by Francesca Alinovi. This was a crucial moment for the global recognition of graffiti, as TOXIC and his contemporaries were introduced to European collectors and critics, helping to solidify the movement’s status in the fine art world.

Beyond his contributions to graffiti, TOXIC was part of the electrifying 1980s New York art scene, rubbing shoulders with some of the biggest figures in music, film, and fashion.

He recalls partying with Madonna at Basquiat’s apartment, attending Studio 54, and finding himself at an exhibition party where guests included The Rolling Stones, Boy George, and Duran Duran. One humorous moment from that night was when A-One repeatedly asked Mick Jagger for his name, oblivious to his fame, leading to laughter from those around him.

These moments reflect the collaborative, unfiltered, and boundary-breaking spirit of the 1980s art world, where graffiti, fine art, music, and celebrity culture intertwined.

TOXIC’s work is now included in prestigious collections, such as the Brooklyn Museum, which holds his 1984 artwork ‘Ransom Note EEC’. His style, characterised by bold colours, fluid movement, and a fusion of abstraction and graffiti, continues to inspire new generations of artists.

His contributions have been further recognised in major retrospectives, including:

•  “Writing the Future: Basquiat and the Hip-Hop Generation” at the Museum of Fine Arts, Boston

• “City As Canvas” at the Museum of the City of New York

These exhibitions highlight TOXIC’s role in shaping the hip-hop and graffiti movements, proving that the art form was not just a fleeting trend but a catalyst for change in contemporary art.

“Writing the Future: Basquiat and the Hip-Hop Generation” demonstrates how the subversion of a radically disrupted language, both visual and verbal, propelled these artists, enabling them to secure a significant position and exert a decisive influence on the art and music scenes.

Woodbury House proudly acts as the exclusive partner for TOXIC works, further strengthening our roster of historically significant street and graffiti pioneers.

In 2024, Woodbury House presented TOXIC’s first solo exhibition in the UK, ‘All Imperfections Included’, at our flagship Mayfair gallery. This exhibition showcased a range of works spanning his career, highlighting his unique fusion of abstract expressionism and graffiti.

For those looking to acquire exclusive works by TOXIC, Woodbury House offers:

• Exclusive access to works on the Primary Market

•  Acquiring works directly from TOXIC’s studio

•  Unrivalled Provenance

•  Off-market acquisitions

•  Superior-quality artworks

•  Unmatched insight and knowledge

With deep expertise and strong connections within the art world, Woodbury House provides collectors with confidence and a competitive advantage when acquiring TOXIC’s work.

As the #1 ranked art gallery on Trustpilot in London, many of our glowing reviews reflect our success in guiding collectors through the acquisition of TOXIC’s artworks, ensuring they receive the best pieces with the highest provenance.

Are you interested in upcoming exhibitions, available works, exclusive insights, or unique opportunities? Let’s connect and explore the world of TOXIC together.

KEO XMEN, also known as Lord Scotch 79, is a prolific graffiti writer, designer, and cultural pioneer, whose influence extends beyond the streets and into the worlds of graphic design, hip-hop, and fine art. With a career spanning over four decades, KEO has remained at the forefront of the graffiti movement while shaping the visual identity of hip-hop culture through album artwork, branding, and commercial collaborations.

His signature graffiti style pays homage to the classic New York City subway era, combining bold letterforms, pop culture references, and comic book influences. His deep connection to hip-hop, combined with his dedication to preserving traditional NYC graffiti styles, has solidified his status as one of the most respected figures in the movement.

KEO began painting graffiti at an early age, immersing himself in the burgeoning New York graffiti scene of the late 1970s and early 1980s. His style quickly evolved, influenced by the legends of the movement, and by the time he was fifteen, he was already exhibiting alongside some of the biggest names in contemporary urban art.

His first major exhibition was at the legendary FUN Gallery, where he shared space with Jean-Michel Basquiat, Keith Haring, Richard Hambleton, DONDI, FUTURA 2000, and HAZE. The FUN Gallery, located in Manhattan’s East Village, was one of the first galleries to recognise graffiti as a legitimate art form, providing young artists with an opportunity to exhibit their work in a professional setting.

While showcasing his work in galleries, KEO continued to paint subway trains, refining his lettering, compositions, and technical precision. His graffiti became a visual soundtrack to the hip-hop movement, appearing on trains and walls at a time when graffiti, rap music, and breakdancing were shaping the cultural identity of New York City.

KEO’s graphic design work became as legendary as his graffiti, helping to shape the visual aesthetic of hip-hop culture. He has designed logos, illustrated album covers, and created branding for some of the most influential hip-hop artists and labels.

Some of his most notable contributions include:

• The iconic album artwork for “Operation: Doomsday” by MF DOOM

• Design work for Kool Keith, Inspectah Deck of Wu-Tang Clan, and EPMD

• Branding and artwork for Nervous Records

KEO’s work on MF DOOM’s “Operation: Doomsday” (1999) remains one of the most recognisable album covers in hip-hop history. His comic book-inspired illustration of DOOM, featuring bold colours and exaggerated lines, perfectly captured the mystique and rawness of the underground rap icon. This artwork has since become one of the most celebrated and influential hip-hop album covers of all time.

Beyond album art, KEO has also worked with major brands, designing products and apparel for:

• Nike

• Supreme

• Stüssy

• Adidas

His creative work extends to installations and set designs, having collaborated with Montblanc, Harley Davidson, Airbnb, and Warner Brothers. KEO’s ability to merge graffiti, hip-hop, and commercial design has allowed him to reach a global audience while maintaining his authentic street credibility.

Beyond his artistic practice, KEO has been deeply involved in documenting and preserving the history of graffiti and hip-hop culture. His contributions have been recognised in major publications, including:

• Bobito Garcia’s “Where’d You Get Those”

• Johan Kugelberg’s “Born in the Bronx”

• The Smithsonian’s “Anthology of Hip-Hop & Rap”

KEO also played a key role in bringing graffiti into the fine art world when he curated the first major graffiti auction at Guernsey’s Auction House in 2000. Held at New York City’s Puck Building, this event was one of the first times that graffiti art was formally sold through a major auction house, further legitimising its place in the contemporary art market.

KEO is not only an artist but also a mentor and educator, dedicated to passing down knowledge to the next generation of graffiti artists and designers. He regularly teaches workshops and lectures at:

• Columbia University

• Rutgers University

• New York University (NYU)

His outreach extends beyond academic institutions—KEO is passionate about using art as a positive force in communities, working with:

• Boys & Girls Clubs

• Youth outreach programmes

• The Rikers Island Robert N. Davoren Adolescent Facility

His work within juvenile detention centres and community programmes highlights his commitment to using graffiti and hip-hop culture as tools for empowerment, creativity, and self-expression.

Woodbury House proudly collaborates with KEO XMEN, continuing to showcase his work and cementing his legacy as one of the most important graffiti writers of his generation.

In 2023, Woodbury House exhibited KEO’s work at our flagship Mayfair gallery, bringing his bold, expressive graffiti style to a London audience. KEO’s work was also featured at the STRAAT Museum in Amsterdam, further solidifying his presence in the international art scene.

For those looking to acquire exclusive works by KEO, Woodbury House offers:

• Exclusive access to works on the Primary Market

• Acquiring works directly from KEO’s studio

• Unrivalled Provenance

• Off-market acquisitions

• Superior-quality artworks

• Unmatched insight and knowledge

With deep expertise and strong connections within the art world, Woodbury House provides collectors with confidence and a competitive advantage when acquiring KEO’s work.

As the #1 ranked art gallery on Trustpilot in London, many of our glowing reviews reflect our success in guiding collectors through the acquisition of KEO’s artworks, ensuring they receive the best pieces with the highest provenance.

Are you interested in upcoming exhibitions, available works, exclusive insights, or unique opportunities? Let’s connect and explore the world of KEO together.

Alex ‘DEFER’ Kizu is one of the most influential figures in Los Angeles graffiti and street art, known for his intricate, flowing letterforms and calligraphic abstractions.

Emerging from the first generation of LA graffiti writers in the early 1980s, DEFER played a crucial role in shaping the West Coast graffiti movement, blending traditional graffiti, typographic motifs, and cultural symbolism into a style he calls ‘Spiritual Language.’

A founding member of legendary graffiti crews K2S (Kill to Succeed), STN, and KGB, DEFER honed his craft in the streets of Boyle Heights, Los Angeles, where graffiti served as both a visual identity and a means of self-expression. His work, deeply rooted in urban culture and the raw energy of street art, has evolved into a highly refined and intricate artistic language, earning him recognition in both street and fine art circles worldwide.

DEFER’s artistic journey began with graffiti lettering and hand styles, which were an essential part of LA’s underground graffiti scene in the 1980s. His early works focused on letter manipulation, intricate layering, and precise line work, setting him apart from other graffiti writers of the time. Over the years, his style evolved into a form of gestural abstraction, distorting traditional letterforms to create fluid, expressive compositions that blur the boundaries between graffiti, calligraphy, and fine art.

While rooted in street culture, DEFER’s work has transcended graffiti’s original limitations, moving onto canvas, murals, large-scale installations, and collaborations with major brands. His transition from the urban landscape to prestigious galleries and museums reflects the evolution of street art as a legitimate and powerful form of contemporary fine art.

His works have been exhibited in museums and galleries worldwide, including the Getty Museum, LA Louvre, MOCA (Museum of Contemporary Art, Los Angeles), and the Beyond The Streets exhibitions (2019, 2020, 2021). He has also collaborated with global brands such as Nike, Jordan, Beats by Dre, and the LA Lakers, further cementing his influence in the art world.

At the core of DEFER’s work is his unique concept of ‘Spiritual Language’—a highly intricate, almost meditative form of abstract calligraphy that he describes as a visual representation of subconscious thought and movement.

Using a combination of free-flowing brushstrokes, complex layering, and delicate typography, DEFER creates highly detailed paintings that feel both chaotic and harmonious. His compositions are often infused with hidden messages and abstract symbols, making each piece a deeply personal and spiritual experience.

DEFER has spoken about his artistic process as a state of flow, where intuition guides his movements rather than predetermined plans. In his own words:

“My ultimate goal in creating my works is to reach a ‘flow state’ or a sublime state of being – where the brush and paint flow effortlessly.”

This approach results in a raw yet sophisticated energy, allowing viewers to interpret his art on an emotional and spiritual level rather than through literal meaning.

In another interview, DEFER described how his work feels deeply instinctive, as though it channels something beyond conscious thought:

“It feels like I’m channeling something from beyond and that’s why I say it’s spiritual, I can’t explain it.”

His paintings bridge the gap between street art and fine art, giving his works a timeless and universal appeal that resonates with audiences far beyond the graffiti world.

DEFER’s contribution to Los Angeles graffiti and street art culture is unparalleled. As a pioneering figure in West Coast graffiti, he has inspired multiple generations of artists, standing alongside other LA graffiti legends like Chaz Bojórquez, Retna, Zes, and Saber.

His influence extends beyond his own work—DEFER has been featured in numerous publications, including:

• Art in America

• Los Angeles Times

• The History of American Graffiti

• Graffiti LA by Steve Grody

Additionally, his work has been archived in the Getty Research Institute’s special collections as part of the “Liber Amicorum” project, a testament to his historical significance in the graffiti movement.

DEFER has also been featured in television and film, including an appearance on the Discovery Channel show “Rods and Wheels”, further exposing his work to new audiences.

Woodbury House has the privilege of working closely with DEFER as his exclusive distributor, expanding his presence in the international art market and bringing his intricate, calligraphic works to collectors worldwide.

As a gallery specialising in street and graffiti art, Woodbury House recognises the cultural and historical significance of DEFER’s contributions to the movement and remains committed to ensuring his work is accessible, appreciated, and preserved for future generations.

In 2023, Woodbury House hosted ‘Spiritual Language,’ DEFER’s solo exhibition at its flagship Mayfair gallery, marking a significant moment in his growing global recognition. This was followed in 2024 by ‘Rogue Odyssey’ in Miami, a highly acclaimed presentation of his latest works.

In addition to solo exhibitions, Woodbury House has featured DEFER’s work in major international art fairs, including Scope Art Show on Miami Beach in December 2024. In the same week as Miami Art Week 2024, a defining moment in DEFER’s career came with his unveiling as the artist whose artwork was chosen as the front cover for the newly acclaimed ‘Street Art Icons’ book, published by Wynwood Walls & Assouline—a testament to his influence and legacy within the street art movement.

For those looking to acquire exclusive works by DEFER, Woodbury House offers:

• Accessibility to works on the Primary Market

• Acquiring works directly from the studio of DEFER

• Unrivalled Provenance

• Exclusive acquisitions

• Superior-quality artworks

• Unmatched insight and knowledge

With extensive expertise and deep connections within the art market, Woodbury House provides collectors with confidence and a competitive advantage when acquiring works by DEFER.

As the #1 ranked art gallery on Trustpilot in London, many of the gallery’s glowing reviews stem from their help in guiding collectors through the acquisition of DEFER’s artworks, ensuring they receive the highest quality pieces with the best provenance.

Are you interested in upcoming exhibitions, available works, exclusive insights, or unique opportunities? Let’s connect and explore the world of DEFER together.

Xavier Prou, better known to the art world as Blek le Rat, is widely regarded as the ‘Father of Stencil Graffiti.’ Born in 1951 in Boulogne-Billancourt, Paris, he was one of the first artists to introduce graffiti to France and is considered the pioneer of the stencil movement in street art.

Blek le Rat’s journey into street art began with a trip to New York in 1971, where he encountered the explosion of wildstyle graffiti across subways, basketball courts, and city walls. He was captivated by the rebellious energy of the movement, but when he began painting in Paris in 1981, he chose the stencil technique, believing it better suited the city’s architecture and classical aesthetic.

His first stencils depicted small black rats, which he placed along the walls of Paris. The rat, an anagram of the word ART, became his signature motif, representing freedom, rebellion, and survival. As Blek once said, “The rat is the only animal that will survive the apocalypse.”

In 1983, Blek expanded his work by introducing life-sized human stencils, making him the first artist to transform stencil graffiti from basic lettering into figurative street art. His works quickly became iconic and left an undeniable mark on the urban landscape.

Unlike traditional graffiti artists, Blek’s work carried a deeper philosophical and social message. His pieces often featured solitary figures, including women, children, elderly individuals, and contemporary urban characters. These figures were meant to bring art to the people and provoke thought about societal issues.

Inspired by the great masters of classical art, Blek incorporated elements from Caravaggio, Michelangelo, Guido Reni, and Leonardo da Vinci into his work. His goal was to liberate classical characters from the confines of museums and return them to the streets, making art accessible to everyone.

“I would like to bring the characters out of museums to return them to the people of the city.”

Blek le Rat’s work evolved beyond artistic expression into a powerful tool for social and political commentary. In the mid-2000s, his focus shifted to political activism. One of his most impactful projects was the Florence Aubenas campaign, where he pasted hundreds of posters calling for the release of the kidnapped journalist in Iraq. This moment was pivotal for Blek, as he realised the power of his art in influencing public discourse.

Another notable series was his Beggar and Homeless series, in which he depicted homeless individuals to challenge societal neglect. By placing these striking images in major cities across Europe, America, and Australia, Blek sought to confront both authorities and the public with the stark reality of homelessness. As he put it, “Sometimes images have more impact than reality.”

Despite facing legal challenges, including arrests and fines, Blek le Rat remained committed to his craft. Over the years, he refined his stencil techniques, producing increasingly complex and detailed artworks. His influence on the street and graffiti art movement has been profound, inspiring generations of urban artists.

Blek’s journey began on the streets of Paris, where his early stencils of small black rats became a defining part of the urban landscape. Over time, his work evolved beyond street interventions to the world of galleries and museums. Initially regarded as a rebellious act of defiance, his stencil art is now recognised for its artistic and cultural significance, earning him a place in esteemed collections and exhibitions worldwide.

His work has been displayed in prestigious galleries and institutions, where he has continued to challenge perceptions of street art, proving that this once-underground movement belongs in the mainstream art world. Through exhibitions in London, New York, Los Angeles, and beyond, Blek has cemented his place as one of the most influential figures in contemporary street and graffiti art.

The connection between Blek le Rat and Banksy is one of the most fascinating relationships in street art history. While Banksy is often credited with popularising stencil graffiti, Blek le Rat pioneered the technique decades earlier. His impact on Banksy—and the broader stencil movement—is undeniable.

Blek le Rat’s small black rats, which first appeared in Paris in the early 1980s, were a direct precursor to Banksy’s own rat stencils, which have become a defining element of his work. For both artists, the rat symbolises rebellion, survival, and artistic intervention in the urban landscape. But their connection goes beyond imagery—both use stencils to deliver sharp social and political commentary, turning city walls into canvases for messages that challenge authority, consumerism, and injustice.

Banksy himself has openly acknowledged the influence of Blek le Rat, once stating:

“Every time I think I’ve done something slightly original, I find out that Blek le Rat has already done it.” — Banksy.

Despite the comparisons, Blek le Rat has always maintained a respectful view of Banksy, recognising him not as an imitator but as an artist who has expanded and evolved the stencil graffiti movement to new heights. While Banksy remains anonymous, elusive, and wrapped in mystery, Blek le Rat has been open about his identity, embracing his role as the pioneer of stencil graffiti and continuing to create works that inspire new generations of street artists.

Today, their art stands side by side in history—Blek le Rat as the father of stencil graffiti and Banksy as the artist who propelled it into the global mainstream. Together, they have cemented stencil art as one of the most powerful tools of visual protest and urban expression in contemporary culture.

Woodbury House has the privilege of working closely with Blek le Rat, acting as his exclusive representative in the United Kingdom, championing his work and bringing his legendary pieces to collectors worldwide. As a gallery specialising in street art, we recognise the historical and cultural importance of Blek’s contribution to the movement and continue to ensure his work is accessible, appreciated, and preserved for future generations.

Woodbury House first brought Blek le Rat back to the United Kingdom after more than a decade of not exhibiting here in 2023 with their sell-out show ‘The Return of The Rat’. The show’s title paid homage to Blek le Rat’s long-awaited return to London and celebrated his enduring impact on the global street art scene.

Following the success of ‘The Return of The Rat’, Woodbury House hosted ‘War & Peace’ by Blek le Rat in 2024, another solo exhibition that garnered significant press interest and became another highly successful show.

Both solo exhibitions at Woodbury House were extensively documented, with mini-documentaries produced to capture the artist’s process, vision, and the reception of his work. These films introduced Blek le Rat’s art to a new audience, offering greater depth, insight, and appreciation to collectors globally.

For those looking to acquire exclusive works by Blek le Rat, Woodbury House offers:

• Accessibility to works on the Primary Market

• Acquiring works directly from the studio of Blek le Rat

• Unrivalled Provenance

• Exclusive acquisitions

• Superior-quality artworks

• Unmatched insight and knowledge

As the #1 ranked art gallery on Trustpilot in London, many of the gallery’s glowing reviews stem from their help in helping collectors acquire Blek le Rat works. Woodbury House continues to be the single best access point for the Blek le Rat market, ensuring that his impact on the art world endures for generations to come.

Are you interested in upcoming exhibitions, available works, exclusive insights, or unique opportunities? Let’s connect and explore the world of Blek le Rat together.

Richard Hambleton (1952-2017) was a pioneer of the street art movement in New York during the 1980s, alongside legendary figures such as Jean-Michel Basquiat and Keith Haring. Known as the ‘Godfather of Street Art,’ Hambleton’s work is renowned for its raw energy, provocative themes, and unique ability to shock, engage, and captivate audiences. But what makes his artwork so significant?

Richard Hambleton’s career began in the late 1970s with his infamous Image Mass Murder series. Using the streets as his canvas, he created what looked like real crime scenes—outlining bodies in chalk, just as police would, and splattering red paint to mimic blood. The impact was immediate: passersby were startled, confronted with what appeared to be fresh crime scenes. Through this series, Hambleton blurred the lines between art, performance, and social commentary, leaving behind over 600 crime scene installations across 15 cities.

By the early 1980s, he had moved to New York, where he developed one of his most iconic bodies of work: The Shadowmen. These dark, life-sized figures were painted in striking black silhouettes, often positioned in doorways, alleys, and building facades. They lurked ominously on the streets of New York, evoking a sense of mystery, fear, and excitement.

“There’s a part of him that’s a real pioneer to plunge into the depths of the depravity that was the Lower East Side at that time. Prostitution and murder were just commonplace.”

Nemo Librizzi, Filmmaker & Art Collector

With approximately 450 Shadowmen figures appearing across the city, Hambleton’s work became an integral part of the gritty, rebellious street art landscape.

Richard Hambleton’s artistic range extended far beyond his renowned Shadowmen. While his early works were painted directly onto the streets, his style evolved across various mediums, including paper, canvas, and even unconventional surfaces like New York City stop signs. The ‘Shadow’ element became a recurring motif in many of his works, appearing in different series, each carrying its own unique visual and thematic depth.

Though his Shadow Heads maintained the raw intensity of his street art, they took on a more introspective quality when produced on paper and canvas, showcasing Hambleton’s ability to convey emotion through minimal yet powerful brushwork. He further expanded this concept through Shadow Hearts and Shadow Cats, blending his signature aesthetic with softer, more symbolic elements.

One of Hambleton’s most controversial and lesser-known series is his Blood Works, where he used his own blood as a medium, pushing the limits of artistic expression.

Alongside these works, Hambleton also explored American culture and mythology through his Marlboro Man and Rodeo series, reinterpreting the rugged cowboy icon with dark, gritty undertones. His ability to reinvent familiar imagery while injecting his signature rebellious energy is a testament to his visionary nature.

Later in his career, Hambleton took a different direction, moving towards abstract landscapes, which he referred to as ‘Beautiful Paintings’. These pieces departed from his figurative works, reflecting a more introspective side of his artistry. While some viewed this shift as an extension of his personal struggles, Hambleton himself saw it as a reaction against the saturation of figurative art in contemporary galleries.

His ability to transition between raw, urban expression and refined, abstract compositions cemented his reputation as one of the most dynamic artists of his generation. No matter the medium or subject, his work remained unmistakably bold, disruptive, and thought-provoking, ensuring his legacy would continue to influence the art world long after his passing.

By 2009, Richard Hambleton’s career was reignited thanks to the efforts of art collector Andy Valmorbida and Vladimir Restoin Roitfeld. Their backing led to a global series of exhibitions across Milan, Moscow, Cannes, and Paris, including a prestigious collaboration with Giorgio Armani.

In 2017, Hambleton was the subject of the acclaimed documentary Shadowman, which premiered at the Tribeca Film Festival. Sadly, just six months after its release, Richard Hambleton passed away at the age of 65 from cancer. His life was a constant battle between fame and self-imposed isolation, success and struggle.

As he once reflected on his own legacy: “I am the shadow behind the Shadowman.”

Following his passing, Hambleton’s work has soared in both artistic and financial value. His unique position as a pioneer of street art, a conceptual artist, and an enigmatic figure has cemented his place in art history. Today, his Shadowmen, Marlboro series, and crime scene installations serve as powerful reminders of a raw, unfiltered era in New York’s underground art scene.

Hambleton’s influence lives on, not only in the continued appreciation of his works but also in the generations of street artists who followed in his footsteps. His art remains provocative, urgent, and deeply resonant, ensuring that his shadow will never fade from the world of contemporary art.

Woodbury House was the first representative in the United Kingdom to buy and sell works by Richard Hambleton, beginning in 2014. Since then, the gallery has played a pivotal role in championing his legacy, curating some of the most prestigious exhibitions featuring his work.

In 2015, Woodbury House hosted the first solo exhibition in the United Arab Emirates dedicated to Hambleton, in collaboration with La Cantine Du Faubourg.

This marked the beginning of a series of high-profile exhibitions hosted by Woodbury House globally—from London’s Saatchi Gallery to the Owners Club in Puente Romano, Marbella, and Mexico City, amongst many others, including at our flagship gallery in Mayfair and our permanent premises in Dubai.

Today, Woodbury House remains the premier destination for collectors globally seeking the very best works by Richard Hambleton. The gallery provides access to the finest examples of Hambleton’s art, ensuring that collectors acquire pieces from the most significant series, with unrivalled quality, detail, provenance, and historical appeal.

• Off-market opportunities

• Exclusive acquisitions 

• Superior-quality artworks 

• Unmatched insight and knowledge

With extensive industry contacts, deep expertise, and a long-standing influence in the market, Woodbury House offers collectors confidence and a competitive advantage when acquiring Hambleton’s works.

As the #1 ranked art gallery on Trustpilot in London, many of the gallery’s glowing reviews stem from their unparalleled focus on Hambleton since their inception in 2014. Woodbury House continues to be a cornerstone of the Richard Hambleton market, ensuring that his impact on the art world endures for generations to come.

Our focus when helping you acquire a Richard Hambleton is YOU.

We listen to what you are interested in and why, and then offer valuable insights within this remit, searching for the very best works—whether from our existing inventory or sourced from afar—to ensure you get the very best artwork options that meet your buying criteria. Our approach is consultative, transparent, and we encourage telephone consultations to discuss your interests or arrange a time to visit our gallery in person at your convenience. Seeing works firsthand or discussing your particular outlook allows us to truly understand you and assist you as much as possible.

Are you interested in upcoming exhibitions, available works, exclusive insights, or unique opportunities? Let’s connect and explore the world of Richard Hambleton together.

At Woodbury House, we are more than just a gallery—we are a movement dedicated to preserving, elevating, and redefining the world of graffiti and street art. Unlike traditional galleries that showcase a broad spectrum of art across multiple genres, we focus exclusively on what we are truly passionate and knowledgeable about: post-graffiti and street art.

Many galleries claim to be experts across countless genres and artists, but how can they genuinely offer deep expertise in every field? Even within our own specialist area, staying ahead of developments, market trends, and artist legacies is a full-time commitment. This is what sets Woodbury House apart.

By choosing us, you are choosing specialists who are deeply invested in the artists we represent. Our role is not just to sell art, but to provide the right knowledge, guidance, and access to help you build a meaningful collection.

While many galleries dabble in various art forms, Woodbury House is laser-focused on post-graffiti and street art. Our collection features key figures in the movement, including Richard Hambleton, Blek le Rat, DEFER, KEO-XMEN, and Torrick ‘TOXIC’ Ablack.

We do not just sell artworks—we tell the stories behind them. Each artist we represent has a unique history, a cultural impact, and a place in the ongoing evolution of graffiti and street art. Our mission is to ensure these artists are not just recognised but cemented in art history.

Navigating the art world can be daunting, especially for new collectors. Trust is everything, and Woodbury House has built a strong reputation as London’s #1 most trusted art gallery.

With over 350 verified reviews on Trustpilot, we pride ourselves on transparency, expertise, and a commitment to client satisfaction. When you collect with Woodbury House, you are not just acquiring art—you are building a long-term relationship with a gallery that supports your collecting goals. While many galleries focus heavily on the pre-sale experience, we believe in fostering a relationship that extends far beyond the initial acquisition. Our commitment to collectors continues post-purchase, offering guidance, insights, and support whenever needed, ensuring that your journey with Woodbury House is a long-term and meaningful one.

https://uk.trustpilot.com/review/woodburyhouseart.com

We understand collectors because we are collectors. Our team doesn’t just sell art—we live and breathe it. We take the time to understand:

• What you’re looking to achieve with your collection.
• Why a particular artist or movement resonates with you.
• How to align acquisitions with your long-term goals.
  

From private viewings and tailored recommendations to post-purchase support, we guide you through every step of your collecting journey—and beyond.

Woodbury House is known for sourcing highly sought-after, rare, and investment-grade works. Many of our pieces come directly from artists’ estates, foundations, and private collections, ensuring exclusive access to the very best artworks.

Beyond rarity, quality and time period play a critical role in a painting’s significance and value. Some of the most important details cannot be identified with the naked eye. Our expertise provides collectors with insight and education into why certain works stand out, allowing you to make fully informed decisions before committing to an acquisition.

Unlike traditional galleries or online platforms, we provide insights into the market, helping collectors understand:

• Why certain artists are on the rise.
• How external factors impact value.
• What to consider when considering a new acquisition to your collection.

We don’t just present artworks—we equip you with the knowledge to collect with confidence.

Our expertise extends far beyond the gallery walls. Over the years, Woodbury House has built strong relationships with:

• Artists & Estates
• Collectors & Institutions
• Leading Global Media

Our presence in Forbes, Wall Street International, Vogue, Grazia, and Hypebeast solidifies our role in shaping the global graffiti and street art market.

Through collaborations, partnerships, and exclusive exhibitions, we ensure that graffiti and street art continue to gain the recognition they deserve globally.

Art isn’t just meant to be viewed—it’s meant to be experienced. Woodbury House regularly hosts:

• Private viewings
• Collector events
• Curated exhibitions

From exclusive evenings at our Mayfair and Dubai galleries to collaborations with high-profile partners, we create unforgettable experiences that celebrate graffiti and street art’s raw energy.

One of the biggest challenges in the art market is ensuring authenticity and provenance. At Woodbury House, every artwork undergoes rigorous due diligence, giving collectors complete confidence in their acquisitions.

Beyond that, we are committed to preserving and cementing the legacies of the artists we represent. Graffiti and street art have historically been misunderstood or overlooked in the fine art world—we are here to change that narrative.

So, why Woodbury House?

Because we are not just a gallery—we are a hub for collectors, artists, and cultural pioneers who believe in the power of graffiti and street art.

We are a trusted partner for those who want to:

• Collect with confidence
• Experience art in its most authentic form
• Be part of a movement shaping the future of contemporary art

Whether you are a seasoned collector or just starting your journey, Woodbury House is here to guide, educate, and inspire.

If you’re interested in learning more about Woodbury House, our artists, insights, or upcoming events and exhibitions, fill out the form below to get connected and start your journey with us.

Welcome to Woodbury House, a private art gallery located in the heart of Mayfair, London. We are deeply rooted in the world of graffiti and street art, a genre we are passionate about and committed to sharing with collectors. Our mission is simple yet impactful: to connect people with the art and stories that matter, while elevating the work of iconic street artists and cementing their legacies in art history.

At Woodbury House, we specialise in the works of some of the most celebrated figures in street art, including Blek le Rat, DEFER, KEO-XMEN, Richard Hambleton and Torrick ‘TOXIC’ Ablack. What sets us apart is our laser focus on this movement, driven by a genuine belief in the power and significance of street art. Our team, being collectors first and foremost, understands the thrill and joy that come with acquiring pieces of art that resonate.

The story of Woodbury House began with a deep appreciation for the street art movement and a desire to make collecting art an enjoyable, accessible, and informed experience. As collectors ourselves, we know how important it is to feel guided and inspired throughout the journey. This understanding shapes everything we do: from our careful curation of artworks to our client-focused approach.

We believe in building long-lasting relationships with our collectors. Art is more than a transaction; it is a shared experience and a lifelong passion. Our philosophy revolves around educating and empowering collectors, giving them the confidence to appreciate and invest in the artists we represent.

Trust is paramount in the art world, and we take immense pride in being recognised as the #1 most trusted gallery in London. With over three hundred reviews on Trustpilot, our clients have shared their experiences and the confidence they have in our expertise. While we don’t like to boast, these testimonials reflect our dedication to earning your trust and ensuring your peace of mind.

Navigating the art world can be overwhelming, but we believe that partnering with a reliable and knowledgeable gallery makes all the difference. Whether you choose us or another reputable institution, we stress the importance of working with a trusted partner who can guide and support you.

At Woodbury House, every experience is personalised. Our process begins with a consultation where we take the time to understand your goals, whether you’re looking to start your art collection, add a specific piece, or find a statement artwork for your space. Our specialist art consultants will guide you through selecting works that align with your tastes and aspirations.

Once your preferences are clear, we offer exclusive private viewings at our Mayfair gallery, where you can immerse yourself in the art and meet our dedicated team. We then handle everything post-purchase, from framing and shipping to insurance and storage, ensuring a seamless and enjoyable experience from start to finish. We also keep our clients engaged with updates on artists, upcoming exhibitions, and exclusive events.

Our gallery hosts regular exhibitions and events, each designed to be a memorable experience. These events bring art to life, allowing our clients to meet the artists, enjoy vibrant music, and connect with fellow collectors. We believe these interactions enhance the joy of collecting and strengthen the connection between art, artist, and collector.

Over the years, Woodbury House has received extensive global recognition, with features in leading publications like Forbes, Wall Street International, Vogue, Grazia, and Hypebeast, to name a few. To be honest, if you name it, Woodbury House has probably been in it. This coverage reflects our gallery’s influence and the importance of the artists we represent. Our aim is to continually raise awareness and appreciation for street art worldwide.

At Woodbury House, we are excited about the future and remain committed to our mission of sharing and elevating street art. We look forward to welcoming you to our gallery, where art is not just viewed but experienced, and where every collector is given undivided attention and a memorable journey.

If you’re interested in learning more about Woodbury House, our artists, insights, or upcoming events and exhibitions, fill out the form below to get connected and start your journey with us.